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It’s not entirely clear whether he’s supposed to be funny or not, but his time on the screen is largely distracting. Throughout the entire film, he pulls a strange face, as if he’s straining to break wind, and talks like he’s just bitten his tongue.
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What’s more surprising is how bad Brad Pitt is as Aldo Raine, the US soldier in charge of a group of Jewish combatants known as the Inglourious Basterds. Predictably, the decision to cast Eli Roth as the Bear Jew doesn’t pay off, and even though it’s a fairly small role, it’s still fairly embarrassing. However, whereas Pulp Fiction‘s list of screw-ups and thugs were all largely memorable – including the brief but brilliant appearance of Amanda Plummer – the many of the characters in Inglourious Basterds are either forgettable or miscast.
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If you can excuse the blatant historical inaccuracies, then the idea of a Pulp Fiction with Nazis doesn’t sound too unappealing. There no denying that the concept behind Inglourious Basterds is an interesting one: it’s a film set during World War II, but in a kind of alternate reality, where Quentin Tarantino is god, and Adolf Hitler was blown up in a cinema.
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